"If at first the
idea is not absurd, then there is no hope for it." This remark by Albert
Einstein perfectly captures the essence of a revolution in physics created
by the central character of Einstein's Heroes.
In 1846, the Edinburgh
Royal Society published a Scottish schoolboy's first original mathematical
investigation. At the time, the shy, awkward boy was only 15 and still dressed
in clothes designed and made by his father.
The boy was James Clerk
Maxwell , who went on to use mathematics to unlock the secrets of electromagnetism
and reveal the fundamental nature of light. But, more importantly, from
the mathematical language of his equations themselves, Maxwell predicted
the existence of something undreamt of at the time - the radio wave. For
the first time, mathematics alone had been used to reveal a physical phenomenon.
Although Maxwell's pioneering use of mathematics in physics is now accepted
practice, to build a theory of physics from the language of mathematics
(rather than from direct observation of the physical world) seemed so preposterous
at the time that his friend and mentor, the renowned mathematical physicist
Sir William Thomson, dismissed Maxwell's theory as mysticism.
But a young scientist
born the year of Maxwell's death, Einstein, was so inspired by Maxwell's
mathematics - which he'd had to teach himself because his teachers didn't
include it in their curriculums - that he put a photograph of Maxwell on
his study wall, alongside pictures of Michael Faraday and Isaac Newton.
These three men are Einstein's Heroes.
In her brilliant new
book, Dr Robyn Arianrhod tells the story of the three scientists whose pioneering
work paved the way to 20th-century physics. Maxwell's story provides the
central thread, the stories of Faraday and Newton its subplots. But, like
several recent books on science written for a general readership, Einstein's
Heroes is many things biography, history, physics, mathematics. Arianrhod
presents science as the physicist, mathematician and author. Margaret Wertheim
argues it should be presented: "not as an isolated activity taking
place away from the rest of society, but as a profoundly human and culturally
contingent pursuit".
The depth and breadth
of Arianrhod's reach is impressive. She moves easily from Maxwell's life
to discuss ancient Greek, Indian, Islamic and Chinese mathematics, as well
as the work of modern scientists such as Newton, Faraday, Einstein and others.
Her lucid prose is as comfortable with the details of Maxwell's personal
life as it is with the intricacies of his physics. But, as its subtitle
"Imagining the World through the Language of Mathematics" suggests,
Einstein's Heroes is ultimately a book about mathematics, a language Arianrhod
sees as "a celebration of the human spirit". In Maxwell's work,
she has found the perfect medium for exploring its beauty.
Apparently, Einstein's
Heroes had been growing in Arianrhod's mind "almost from the time
I first fell in love with the amazing and elegant language of mathematics".
It seems this sense of "falling in love" has worked like alchemy
in her book, infusing it with a spirit that makes it utterly irresistible
to read. Arianrhod brings to her subject so much care, intelligence, attentiveness,
enthusiasm and simmering excitement that the book reads like a good novel,
so much so that the closing lines of the last chapter (four equations and
seven words) moved me to tears. So beautifully does Arianrhod write, so
inexorably does she move towards this moment.
Arianrhod says Maxwell "always tried to enlighten rather than dazzle
his readers". I could think of no better praise for Arianrhod's own
work. Einstein's Heroes is a remarkable, accessible, inspiring new
book and it deserves to be widely read.
Jane Gleeson-White
is a writer, editor and mathematician.
This story
at: http://www.smh.com.au/articles/2003/11/09/1068329423959.html
© The Sydney Morning Herald
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